Should we be worried about the prospects for democracy in this country? I don’t know. Personally, as it happens, I’m not that worried. I’m sure one should never be complacent about this and also that there are tendencies towards apathy, disillusion, cynicism and what have you that need always to be combated. But at the same time I believe that people who enjoy the benefits of pluralist democracy mostly understand on some level that they do, and there’s strong evidence that many of those who don’t have access to the same benefits wish that they did. So I’m reasonably optimistic.
A more particular question now, suggested by a column of Jonathan Freedland’s, is the following: should we be worried about the prospects for democracy in this country, on the basis of a visit to the theatre? This I very much doubt. Jonathan is writing about Peter Morgan’s new play ‘The Audience’. I haven’t seen it, but – I rely here on Jonathan’s account of it – it’s a plug for our own dear Queen, who is shown by Morgan ‘as shrewd and uncommonly sage’, ‘as constant, modest and preternaturally wise, dedicated selflessly to serving the people’. By contrast the prime ministers she successively has to deal with are all ‘needy and dysfunctional in their own way’; they are made to reveal ‘the grubby, inadequate world of the elected politician’. And here’s the crux of the thing: audience reaction, as Jonathan reports it, was warm, showing that Morgan ‘is not speaking for himself alone’.
Given a choice, it’s clear who both he and his audience prefer: the affection in the room is not for the flawed people we have chosen to send to No 10, but for the woman who reigns in Buckingham Palace by virtue of the blood in her veins (and who need never take an unpopular decision).
Jonathan reads this as possibly representative of a more general ‘preference for the non-democratic’ that is abroad in the world and concludes that the commitment to democracy ‘looks terribly fragile’.
How fragile or robust it is I’ll leave to one side – beyond the few speculative remarks with which I began. But what I think is certainly fragile is Jonathan’s evidence in this column. It may well be true that a majority among theatre audiences have a greater liking and regard for the present Queen than they have for the prime ministers who have succeeded one another during her reign. Even if so, that doesn’t translate automatically, or at all, into a preference for monarchy – and monarchy unrestrained by democratic assembly at that – over parliamentary democracy. A question to which I don’t know the answer for certain but which I will nevertheless hazard a guess about is: how would Jonathan’s audience, or indeed the British electorate, vote if offered a straight choice between unrestrained monarchical power and a continuation of, roughly, the representative democracy they have? I cannot, myself, believe the answer to this would be in doubt. They would vote to retain what they have. I would be interested to know what Jonathan’s own guess here would be.